Exoskeleton

Hey, i'm chelsea, 22, an art nerd cinephile who decided to make a blog. Currently an Art Student at Binghamton University!
i also make some posts with:
hot guys
comics
superheroes

Nicki Minaj - Anaconda

Ok i don’t understand this song at all but can i just say nicki minaj has a butt that just won’t quit work it gurl!!!

(Source: minajsreign, via vincecarters)

Entitled

  • Me: This older generation pisses me off so much
  • Therapist: Why?
  • Me: Because when I was growing up, we were forcefed the idea that if we didn't want to be 'flipping burgers at McDonalds,' then we'd better go to college.
  • Therapist: And?
  • Me: And now we've all gone to college, have degrees, can't get a damn job, and the same people that told us to go to college call us entitled assholes because we refuse to flip burgers
  • Therapist: Touche

thepluralisphoenixii:

imkatandimawesome:

sansaspark:

During the scene when Mulan decides to go to war instead of her father, she decides to do it while sitting on the foot of the Great Stone Dragon. The image of the dragon looking over Mulan is repeated several times throughout the sequence, and the bolts of lightning strike at significant times whenever the dragon is in sight. When Mulan takes her father’s scroll and when she is praying to her ancestors, the Great Stone Dragon can be seen. It is also engraved on the sword Mulan uses to cut her hair and the handles of the wardrobe containing the armor are in the shape of the dragon’s head. The dragon’s eyes glowing in the temple symbolizes Mulan’s role as protector of her family awakening, instead of the actual dragon.

The reason Mushu couldn’t wake the dragon is because the dragon was no longer there. Mulan is implied to be the Great Dragon that protects her family.

CHRIST HOW DID I MISS THAT AFTER ALL THESE YEARS

WHAT

(via blairdanielle)

vikadi:

set of nostalgia drawings by gabriel picolo. i don’t think i have enough space on my tumblr for all his works that i’d like to post.

(via blairdanielle)

The photography of William Eggleston

A native Southerner raised on a cotton plantation in the Mississippi Delta, Eggleston has created a singular portrait of his native South since the late 1960s. After discovering photography in the early 1960s, he abandoned a traditional education and instead learned from photographically illustrated books by Walker Evans, Henri Cartier-Bresson, and Robert Frank. Although he began his career making black-and-white images, he soon abandoned them to experiment with color technology to record experiences in more sensual and accurate terms at a time when color photography was largely confined to commercial advertising. In 1976 with the support of John Szarkowski, the influential photography historian, critic, and curator, Eggleston mounted “Color Photographs” a now famous exhibition of his work at the Museum of Modern Art, New York. William Eggleston’s Guide , in which Szarkowski called Eggleston’s photographs “perfect,” accompanied this groundbreaking one-person show that established his reputation as a pioneer of color photography. His subjects were mundane, everyday, often trivial, so that the real subject was seen to be color itself. These images helped establish Eggleston as one of the first non-commercial photographers working in color and inspired a new generation of photographers, as well as filmmakers. 

Eggleston has published his work extensively. He continues to live and work in Memphis, and travels considerably for photographic projects. (x)

(Source: vintagegal, via a-precis)

blackyjunkgallery:

A litte illustration (more a character design) for the great project Katarakt,
from the artist crew “L’encre Blanche” (check out their facebook page ).